Lana del rey sexy lyrics
Also the contrast of the darkness of her lower voice and sometimes mid-range and the extremely light upper register can proof of a disconnection between the registers. Her live performances, especially in earlier years (2011-2012), have been criticized for being unpolished and messy, with a pitchy-lazy-off key voice, even if this is improving greatly (but not at all) with time. Despite understandable due to the genre she sings, it would be nice to see how Lana’s real belting voice would be if it only were used. Vocal Negatives: Lana’s diction, fraseggio and vocal style is of an acquired taste, and can be off-putting to some as they can be perceived as “lazy, hollow and weird”. Both registers have a light, youthful and bright tone at it that can be solidified if requested. She can play with the dynamics while executing ornamentation or fire up notes into the upper fifth and lower sixth octave with a sense of freedom. Lana’s belting range seems to be almost non-existent, as she opts for using her extended middle register or directly her falsetto and head voice (she actually mixes the chest and head voice but it is still a smooth, light mix that is kept at a middle-low dynamic with only a little pressure on chords, so even if mixed the sound is not assimilable to that of a belt).įalsetto and head voice are Lana’s strongest suit, as she seems to have a big command over these registers. She can also “play” with all of those tones in the same song. For instance, she can infect notes with a breathy, layered and harmonized tone (she uses this most of the times, but it is more noticeable during the Honeymoon era and is some Ultraviolence and Lust For Life songs, like “Honeymoon”, “Cherry” chorus and “West Coast”), with a more rounded, warm and creamy one, with one that is thicker and darker or with one that is lighter and more youthful. The mid-range as an easy quality and a lyrical edge that makes this area her most emotionalòly versatile one. Even if she has admitted herself that the sound in this register is artificially darkened by lowering the larynx – since her speaking voice is much lighter and brighter – this works pretty well.
Lana del rey sexy lyrics full#
Even though she is more comfortable from a C3 to an F3, these notes can be delivered with a foggy, breathy, sensual attitude, with one that is more solid and full or with a combination of both. This register spans well down in the second octave (A2/Bb2) with a big amount of ease and a dark, sultry tone. The lower register is Lana’s most famous vocal area, despite not her best (technically speaking) one. On the other hand, register transitions seem to be quite easy for her. However, she has demonstrated the ability to sing a melisma and simple, smooth vocal runs.
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Lana has also adopted a distinctive, “alternative” vocal style that reflects very well the kind of music she sings (dream pop, trip-hop, psychedelic rock), and consequently she is more concerned about carrying the emotion, the content of the material she writes with variable vocal qualities and textures. Her unique vocal type joined with her brilliant sense of intonation, her marvelous diction and usage of tics, dynamics and phrases all make possible for her to transcend an infinite amount of emotions, with the lyrical content being alway clear and understandable to listeners. Vocal Pluses: Lana Del Rey has a unique voice for her age, with a versatile and changeable tone which is one of her most famous features. Vocal Type: Summertime Sadness, Video Games, Ride, Dark Paradise, Young And Beautiful, Shades Of Cool, Terrence Loves You, Love, Lust For Life, Venice B**ch, Fuck It I Love You, Love Song, The Greatest. Supported Range (At Her Best): D3-N/A-G5. "Seven Devils" definitely has the magic to take listeners to a heroic adventure.Vocal Range: 3 Octaves, three notes and one semitone (A2-F#5-Eb6). With a lot of suspensions and non-chord tones, her unique religious style gave this song a cinematic feeling that will ignite listeners' hearts. One of my favorite songs of all time, "Seven Devils" is composed in the tonality of combining major and minor. On the other side, Florence Welch has one of the most epic voice ever, especially in the song "Seven Devils". With the amazing combination of lyrics, harmony, and performance, whoever listens to this song should feel "fuck it, I am the best".
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With the "blackest" drums and bass underneath, this song is carelessly sexy. All the details in this song are phenomenal and well produced.
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What I do, I do best"Īs Lana starts the song with this careless sound poem, her unique and ethereal voice is what I call mesmerizing. This week, two songs that I wanted to present is Lana Del Rey's Fucked My Way Up To The Top and Seven Devils by Florence + The Machine.